I like to draw in detail but with a fairly loose style. This means I’m attracted to some quite complicated views. When I know I have time I do enjoy the puzzle of putting together a complex drawing. However, they can be spoiled by an unsympathetic wash and you will see this more than once below.
My first ‘Grand Design’ was the British Museum. I’d just returned from a work colleagues memorial service in Mayfair and it was a beautiful winters day, bright but with a cold wind. I planned to paint inside but the view from the gardens enticed me and I had a go. The wash is not complete as the cold and my need to be comfortable took over.
My next complicated drawing was taking on the Tudor facade of Hampton Court. I arrived early and the crowds had not arrived. I didn’t want a full on view so i sat on the river side of the building and sat down behind a tree, to get out of the raw wind.
Having completed the drawing I had to return home to paint the scene as I was cold and hungry. The sun was low and the facade was in shadow. I painted it as I saw it but this didn’t produce a sympathetic painting. I should have thought about the colours more.
A ‘Grand Design’ in my mind doesn’t have to be one building but can be in this case a line of beautiful houses. I decided to start this sketch as I only had limited time on my parking meter. I returned and started painting on a second visit. I stopped painting when I saw that the drawing was getting lost. I did return to the painting on a second session to provide more detail.
The final ‘Grand Design’ is of Ardingly College. I was attending a Tango festival, which included workshops and an evening Milonga. I turned up early and made the most of a brief spell of good weather. The building is complicated but I enjoyed the puzzle of drawing it in scale and simplifying the lines. In front of the building were large playing fields and I made the error of including them in my painting rather than the sky. I’ve cropped them out in the picture below.